Ken Burns reflecting on His American Revolution Film Series: ‘We Won’t Work on a More Important Film’

Ken Burns is now considered more than a documentarian; he is a brand, a one-man industrial complex. With each new documentary series premiering on the small screen, all desire a part of him.

The filmmaker completed “more fucking podcasts than I ever thought possible”, he says, approaching the conclusion of nine-month promotional tour that included 40 cities, numerous film showings plus countless media sessions. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.”

Happily Burns possesses boundless energy, as expressive in conversation as he is prolific in the editing room. The veteran director has gone everywhere from historical sites to The Joe Rogan Experience to promote his latest monumental work: this historical epic, a comprehensive multi-part historical examination that dominated ten years of his career and debuted currently on public television.

Timeless Filmmaking Method

Comparable to methodical preparation in today’s rapid-consumption era, The American Revolution intentionally classic, evoking memories of historical documentary classics as opposed to modern streaming docs and podcast series.

But for Burns, whose entire filmography chronicling strands of US history including baseball, country music, jazz and national parks, the nation’s founding transcends ordinary historical coverage but foundational. “I said this to my co-director Sarah Botstein recently, and she concurred: no future work will carry greater importance,” Burns reflects by phone from New York.

Extensive Historical Investigation

Burns, co-directors Botstein and David Schmidt and screenwriter Geoffrey Ward utilized thousands of books and other historical materials. Multiple academic experts, representing diverse viewpoints, contributed scholarly insights together with prominent academics from a range of other fields including slavery, Native American history plus colonial history.

Signature Documentary Style

The style of the series will feel familiar to devotees of The Civil War. The characteristic technique featured methodical photographic exploration across still photos, extensive employment of contemporary scores featuring talent interpreting primary sources.

Those projects established Burns built his legacy; years later, now the doyen of documentaries, he seems able to recruit any actor he chooses. Appearing alongside Burns during a recent appearance, renowned playwright Lin-Manuel Miranda noted: “When Ken Burns calls, you say ‘Yes.’”

Remarkable Ensemble

The extended filming period also helped concerning availability. Sessions happened at professional facilities, in relevant places and remotely via Zoom, a tool embraced amid COVID restrictions. Burns recounts collaborating with actor Josh Brolin, who found a few free hours in Atlanta to record his lines portraying the founding father before flying off to subsequent commitments.

Additional performers feature numerous acclaimed actors, established Hollywood talent, diverse creative professionals, household names and rising talent, accomplished dramatic artists, British and American talent, Edward Norton, David Oyelowo, Mandy Patinkin, Wendell Pierce, Matthew Rhys, Liev Schreiber, plus additional notable names.

The filmmaker continues: “Truly, this might be the most exceptional group ever assembled for any movie or television show. Their work is exceptional. Selection wasn’t based on fame. I got so angry when somebody said, ‘So why the celebrities?’. I explained, ‘These are artists.’ They are among the world’s best performers and they can bring this stuff alive.”

Nuanced Narrative

Still, the lack of surviving participants, visual documentation compelled the production to rely extensively on the written word, integrating the first-person voices of numerous historical characters. This approach enabled to present viewers beyond the prominent leaders of the founders along with multiple essential to the narrative, numerous individuals lack visual representation.

The filmmaker also explored his individual interest for maps and spatial representation. “I have great affection for cartography,” he observes, “featuring increased geographical representation throughout this series versus earlier productions across my complete filmography.”

Global Significance

The team filmed at nearly a hundred historical locations across North America and in London to capture the landscape’s character and worked extensively with living history participants. These components unite to present a narrative more bloody, multifaceted and world-changing than the one taught in schools.

The documentary argues, was no mere parochial quarrel about property, revenue and governance. Conversely, the project presents a blood-soaked struggle that eventually involved more than two dozen nations and unexpectedly manifested what it calls “humanity’s highest ideals”.

Brother Against Brother

Early dissatisfaction and objections leveled at London by far-flung British subjects throughout multiple disputatious regions quickly evolved into a vicious internal war, setting brother against brother and neighbour against neighbour. In episode two, scholar Alan Taylor notes: “The primary misunderstanding regarding the Revolutionary War centers on assuming it constituted a unifying experience for colonists. It leaves out the reality that Americans fought each other.”

Nuanced Understanding

According to his perspective, the revolution is a story that “typically is drowning in sentimentality and nostalgia and is incredibly superficial and doesn’t have the respect actual events, all contributors and the widespread bloodshed.”

It was, he contends, an uprising that declared the revolutionary principle of the unalienable rights of people; a bloody domestic struggle, dividing revolutionaries and royalists; and a global war, the fourth in a series of conflicts between Britain, France and Spain for the “prize of North America”.

Uncertain Historical Outcomes

Burns additionally aimed {to rediscover the

Anthony Jones
Anthony Jones

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